Every dimension the house is generated from is below, with its class and its citation. This is the project’s honesty layer, and it is given a room of its own because a smooth 3D render implies a precision the sources do not have.
The dimensions
| Dimension | Value | Class | What it means |
|---|---|---|---|
| 2.60 mIf 20% out: 2.60 m | Interpolated | Length of one bay of floor for one soa. The building’s length is this figure times the number of clans: the plan is a census like the rumah betang’s — except that what is counted is not the families living inside but the clans entitled to sit inside. | |
| 4.20 mMoves no measurement | Interpolated | Half-width of the floor. Fixed: what grows with the number of soa is the length alone. | |
| 1.55 mIf 20% out: 0.31 m | Interpolated | Height of the floor above the ground. High enough to be seen into from outside and low enough to be heard from outside — two requirements pulling opposite ways, and the figure is the author’s. | |
| 0.07 mIf 20% out: 0.01 m | Interpolated | Thickness of the board floor. | |
| 0.24 mMoves no measurement | Interpolated | Section of a principal post. Each soa has a pair, and none is larger than another. | |
| 0.22 mIf 20% out: 0.04 m | Interpolated | Height of the pad stone a post foot stands on. | |
| 0.45 mMoves no measurement | Interpolated | Width of that pad stone. | |
| 0.26 mMoves no measurement | Interpolated | Depth of a floor bearer. | |
| 0.15 mMoves no measurement | Interpolated | Width of a floor bearer. | |
| 2.40 mIf 20% out: 0.48 m | Interpolated | Height of a post above the floor, to its head. This whole distance is open on all four sides, and that is the building: what is decided inside is visible and audible from outside. | |
| 0.55 mMoves no measurement | Interpolated | Height of the low screen between the posts, where there is one. Knee height: it stops a person falling and stops no sight line at all. Raise this figure past the eye of a person standing outside and the building stops being an open one — which is its counterexample. | |
| 0.05 mMoves no measurement | Interpolated | Thickness of that screen board. | |
| 1.20 mMoves no measurement | Interpolated | Eye height of a person seated in their place, measured from the floor. Not a dimension of the building but of the person who has to be visible from outside — and a dimension for exactly that reason: this figure is what decides what may stand between the posts. Let the screen rise past it and a seated saniri is no longer in view, and the building stops doing the one thing that made it this shape. | |
| 1.60 mMoves no measurement | Interpolated | Width of one soa’s seat. The same for every one, and that sameness is not a drawing convenience: the Palembang rumah limas states standing by raising its floor, and this building states equality by refusing to. | |
| 0.55 mMoves no measurement | Interpolated | Depth of that seat. | |
| 0.42 mIf 20% out: 0.08 m | Interpolated | Height of a seat above the floor. One figure for every soa: nobody sits higher. | |
| 3.40 mIf 20% out: 0.68 m | Interpolated | Rise of the ridge above the post heads. A baileo’s roof is large and heavy over a building with no walls, and that proportion is what makes it read as a public building rather than as a shelter. | |
| 1.40 mMoves no measurement | Interpolated | Depth of the overhang. Long, because there is no wall to keep the rain out: what keeps the floor dry is a roof reaching well past it. | |
| 0.10 mMoves no measurement | Interpolated | Section of a rafter. | |
| 0.16 mMoves no measurement | Interpolated | Section of the plate on the post heads. | |
| 0.24 mMoves no measurement | Interpolated | Exposed depth of one course of sago thatch. | |
| 0.05 mMoves no measurement | Interpolated | How far a course stands proud of the one below. | |
| 0.50Moves no measurement | Interpolated | The share of a course the course above laps. | |
| 0.04 mMoves no measurement | Interpolated | Clearance between the frame and the first course. | |
| 0.62 mMoves no measurement | Interpolated | Radius of the batu pamali. That it exists and that this building stands in relation to it is canon; its size is the author’s, and a real stone is not round. | |
| 0.50 mMoves no measurement | Interpolated | Height of that stone above the ground. | |
| 3.60 mMoves no measurement | Interpolated | How far in front of the building the stone stands, when it stands outside. | |
| 1.50 mMoves no measurement | Interpolated | Width of the entry stair. | |
| 0.29 mMoves no measurement | Interpolated | Depth of one tread. | |
| 0.30Moves no measurement | Interpolated | Depth of the tested joint engagement, as a share of the smaller member. | |
| 1Moves no measurement | Canon | A baileo is the negeri’s house and nobody’s. No one sleeps in it and no household owns it: it is where the saniri sits and where the ancestors are addressed. The other fourteen buildings in this project belong to a household; this is the only one that belongs to no one. | |
| 1Moves no measurement | Canon | Every soa has one place, and all the places are the same. The number of soa sets the number of floor bays, pairs of posts and seats — a tally, like the tongkonan’s horns and the betang’s bilik, but a tally of a community rather than of a household. | |
| 1Moves no measurement | Canon | A baileo has no walls. What is decided inside must be visible and audible from outside, so the openness is a political rule rather than a climatic one — and it is measured against the eye height of a person standing on the ground rather than against the presence or absence of boards. | |
| 1Moves no measurement | Canon | One floor, one plane, no loft and no step. The soa sit as peers, so nobody is above anybody. Set it against the rumah limas, which states standing by raising its floor. | |
| 1Moves no measurement | Canon | The batu pamali stands in front of the baileo — or inside it, with the floor left open around it so the stone still touches the earth. The building stands in relation to that stone, and never over it. |
Bibliography
cooley-1962 · ethnography
Cooley, F. L., Ambonese Adat: A General Description (Yale University Southeast Asia Studies, New Haven, 1962).
lokollo-1997 · ethnography
Lokollo, J. E., dkk., Seri Budaya Hukum Adat: Sasi dan Baileo di Maluku Tengah (Universitas Pattimura, Ambon, 1997).
depdikbud-maluku · reference
Departemen Pendidikan dan Kebudayaan, Arsitektur Tradisional Daerah Maluku (Proyek Inventarisasi dan Dokumentasi Kebudayaan Daerah, Jakarta).
waterson-1990 · ethnography
Waterson, R., The Living House: An Anthropology of Architecture in South-East Asia (Oxford University Press, Singapore, 1990).
Which of these matters most
Nearly every dimension on this page is the author’s own. What the provenance bar does not say is whether that matters. Each row below is computed by rebuilding the house: one dimension is pushed 20%, and the house is measured to see how far it follows. Nothing is estimated — the figures are the difference between two runs of the generator.
- 2.60 m
- 0.68 m
- 0.48 m
- 0.31 m
- 0.08 m
- 0.04 m
- 0.01 m
If only one dimension could be surveyed, this is the one. This is sensitivity, not uncertainty: it shows what moves, not how likely the value is to be wrong. The 20% is itself the author’s choice.
Invariants
There is no measured drawing yet, so correctness rests on structural truth. These checks fail the build.
- passBilateral symmetry about Symmetric about the long mid-plane, z = 0
920 points; largest mirror deviation 0.00 mm.
- passEvery tenon contained in its mortise
20 pasak, takik and tumpu joints; every one engaged.
- passNo joint spans more than one stage
Every joint engages two parts from the same stage or from consecutive ones.
- passStage ordering, and nothing below ground
88 parts, every one bearing on something already standing or on the ground.
- passMesh integrity: indices, triangles, normals
216 triangles; indices in range, none degenerate, every normal unit length.
- passOne bay, a pair of posts and a seat for every soa
5 soa: 5 bays, 10 posts, 10 seats. The plan is a tally — not of the families living inside, as on the rumah betang, but of the clans entitled to sit inside.
- passEvery seat is the same, and the floor is one plane
10 seats of one size and one height, on a single floor at 1.84 m. The Palembang rumah limas states standing by raising its floor; this building states equality by refusing to.
- passOpen on all four sides, at the eye height of somebody seated inside
Nothing but posts stands between the floor and 1.20 m above it; the screen stops at 0.55 m. What is decided inside is visible from outside, and that is a political rule rather than a climatic one.
- passNothing is built over the pamali stone
The stone stands 3.60 m in front of the building, outside the reach of the eave.
- passThatch courses lap with no bare band
27 courses from eave to ridge, with a 1.40 m overhang — long, because there is no wall to keep the rain out.
- passEvery part declares the dimensions it came from
88 parts, every one tagged. By least-sourced input: 0 measured, 0 canon, 88 interpolated.
- skippedChecked against a measured drawing of a real house
Skipped. No measured drawing has been wired in, so there is nothing to compare against. This check will not be made to pass by weakening it.
What a check is preventing
Ten green rows are not a reason to believe anything. So one check is run against a house built to break it, and what is printed below is that check’s own verdict rather than a description of it.
Raise the screen and nothing falls down. The posts still stand, the floor is still one plane, the seats are still equal, the roof still laps and still sheds. The only thing that stops being true is that a person seated in their place can be seen from outside — so a building whose entire form is an argument about visible decisions goes on making that argument to somebody who cannot see it. And what defeats it is a handrail: the first thing anybody would fit to a floor two metres in the air with children on it.
The house as built
Rear prow raised to 1.21 m
The second house is never rendered. It is built during the build, failed, and thrown away.
This bar moves as real surveys are wired in. That movement is the project's progress metric.