Every dimension the house is generated from is below, with its class and its citation. This is the project’s honesty layer, and it is given a room of its own because a smooth 3D render implies a precision the sources do not have.
The dimensions
| Dimension | Value | Class | What it means |
|---|---|---|---|
| 6.40 mIf 20% out: 1.28 m | Interpolated | Width of the middle room, where the council sits. | |
| 2.50 mIf 20% out: 2.50 m | Interpolated | Length of one bay along the hall. | |
| 2.20 mIf 20% out: 0.88 m | Interpolated | Width of each selaso. The two are the same, because that is what kembar in its name means. | |
| 0.32 mIf 20% out: 0.06 m | Interpolated | How far the selaso floor falls below the middle one. It is the only dimension in this project that lowers a floor in order to say something, and what it says is about an activity rather than about a person. | |
| 0.42 mIf 20% out: 0.08 m | Interpolated | How high a single step can be and still be crossed without thinking about it. Not from a source about Riau — its own source key so that this shows. The fall has to stay inside it, because people cross it many times in one meeting. | |
| 1.35 mIf 20% out: 0.27 m | Interpolated | Height of the middle floor above the ground. | |
| 0.30 mIf 20% out: 0.06 m | Interpolated | Height of the stone under a post; nothing is buried. | |
| 0.05 mMoves no measurement | Interpolated | Depth of the hollow in the stone the post foot sits in, so the two actually engage. | |
| 0.19 mMoves no measurement | Interpolated | Section of a post. | |
| 0.20 mMoves no measurement | Interpolated | Depth of a floor bearer. | |
| 0.05 mMoves no measurement | Interpolated | Thickness of a floor plank. | |
| 0.75 mMoves no measurement | Interpolated | Height of the low rail at the edge of the selaso. Low on purpose: a selaso is a way through, and a way through is not closed off. | |
| 2.50 mIf 20% out: 0.50 m | Interpolated | Height of the middle room’s board wall to the plate. | |
| 0.06 mMoves no measurement | Interpolated | Thickness of a wall board. | |
| 0.28 mMoves no measurement | Interpolated | Rise of the anjung floor above the middle one. A Minang rumah gadang also raises a floor at its ends, and there what is stated is which laras the household follows; here what is raised is where the hosts sit at a ceremony. | |
| 2.80 mMoves no measurement | Interpolated | Depth of an anjung at the end of the hall. | |
| 2.40 mMoves no measurement | Interpolated | Depth of the rear deck. | |
| 3.40 mIf 20% out: 0.68 m | Interpolated | Rise of the ridge above the plate. | |
| 0.50Moves no measurement | Interpolated | Length of the ridge against the length of the hall. | |
| 1.10 mMoves no measurement | Interpolated | Overhang of the roof, which shades the selaso under it. | |
| 0.10 mMoves no measurement | Interpolated | Thickness of the shingle covering. | |
| 1.10 mMoves no measurement | Interpolated | Height of the selembayung crossing at the end of the ridge. Its carving itself is not modelled. | |
| 0.09 mMoves no measurement | Interpolated | Section of a selembayung member. | |
| 14.00 mMoves no measurement | Interpolated | Radius of the hall’s yard, beside the river that is this country’s road. | |
| 0.30Moves no measurement | Interpolated | Depth of the tested joint engagement, as a share of the smaller member. | |
| 1Moves no measurement | Canon | The selaso floor falls one step below the middle floor. Every other stepped floor in this project is raised to say something about the person standing on it — a rumah limas seats a guest on the step matching their standing, a rumah gadang raises an anjuang according to its laras, a malige lifts a storey for a sultan. This one is lowered to say something about an activity: passing through is not being present, so the way through is not on the level of the room. | |
| 2Moves no measurement | Canon | Two selaso, and they are alike: the same width, the same fall, on both sides. That is what kembar in its name means, and a hall with one selaso, or with two at different levels, is a different building with a different name. | |
| 1Moves no measurement | Canon | The fall is one step, not one storey. People cross it many times in a single meeting, so it has to stay inside the size of step somebody crosses without thinking — which is this building’s limit, and the limit is in a person’s body rather than in its timber. | |
| 1Moves no measurement | Canon | Both selaso run clear from end to end, so somebody can walk the whole length of the hall without once setting foot in the middle room. This is the measurable half of what the fallen floor means. |
Bibliography
depdikbud-1986 · reference
Arsitektur Tradisional Daerah Riau (Departemen Pendidikan dan Kebudayaan, Jakarta, 1986).
effendy-2004 · reference
Effendy, T., Tunjuk Ajar Melayu (Balai Kajian dan Pengembangan Budaya Melayu, Yogyakarta, 2004).
wahid-2013 · reference
Wahid, J. & Alamsyah, B., Arsitektur & Sosial Budaya Sumatera Utara dan Melayu (Graha Ilmu, Yogyakarta, 2013).
anthropometry · none
Ukuran tubuh manusia yang ditetapkan penulis, bukan dari sumber tentang Melayu Riau. Kunci yang sama dipakai pak Bali, Waruga, Ngada, Atoni, Rimba, dan Sahu.
Which of these matters most
Nearly every dimension on this page is the author’s own. What the provenance bar does not say is whether that matters. Each row below is computed by rebuilding the house: one dimension is pushed 20%, and the house is measured to see how far it follows. Nothing is estimated — the figures are the difference between two runs of the generator.
- 2.50 m
- 1.28 m
- 0.88 m
- 0.68 m
- 0.50 m
- 0.27 m
- 0.08 m
- 0.06 m
If only one dimension could be surveyed, this is the one. This is sensitivity, not uncertainty: it shows what moves, not how likely the value is to be wrong. The 20% is itself the author’s choice.
Invariants
There is no measured drawing yet, so correctness rests on structural truth. These checks fail the build.
- passBilateral symmetry about Symmetric about the axis of the hall, x = 0 — and that is what kembar in its name means
672 points; largest mirror deviation 0.00 mm.
- passEvery tenon contained in its mortise
26 pasak, takik and tumpu joints; every one engaged.
- passNo joint spans more than one stage
Every joint engages two parts from the same stage or from consecutive ones.
- passStage ordering, and nothing below ground
83 parts, every one bearing on something already standing or on the ground.
- passMesh integrity: indices, triangles, normals
6 triangles; indices in range, none degenerate, every normal unit length.
- passBoth aisles have fallen, and fallen the same
Two selaso, each 2.20 m wide, both fallen 32 cm below the middle floor. Every other stepped floor in this project is raised to say something about a person; this one is lowered to say something about an activity.
- passThe fall is one step, not a storey
A 32 cm fall against the 42 cm a person crosses without thinking about it. People cross it many times in one meeting: one figure belongs to the custom, the other to the body, and nothing relates them.
- passYou can walk the length of the hall without entering the room
Both selaso run clear for 12.5 m, with only a low rail on their outer edge and nothing across them. This is the measurable half of the fallen floor: passing through is not being present.
- passWhat is raised is raised only at the ends
2 anjung, both outside the middle room and 28 cm above it. The middle floor itself stays one plane: a raised floor inside the room would be the rumah limas’s claim, and this building does not make it.
- passEvery part declares the dimensions it came from
83 parts, every one tagged. By least-sourced input: 0 measured, 0 canon, 83 interpolated.
- skippedChecked against a measured drawing of a real house
Skipped. No measured drawing has been wired in, so there is nothing to compare against. This check will not be made to pass by weakening it.
What a check is preventing
Ten green rows are not a reason to believe anything. So one check is run against a house built to break it, and what is printed below is that check’s own verdict rather than a description of it.
Dropping the selaso further is the most direct way to make this building say what it means more clearly: the difference between passing through and being present is the whole content of the plan, and a deeper fall states it from further away. No part of the building objects — the two aisles are still twins, still clear end to end, the roof still covers all three floors. What runs out is the step. People cross that edge many times in one meeting, and past a point it is no longer something crossed without thinking — so the hall that states its point most firmly is the hall whose aisles people stop using as the way through.
The house as built
Rear prow raised to 0.43 m
The second house is never rendered. It is built during the build, failed, and thrown away.
This bar moves as real surveys are wired in. That movement is the project's progress metric.